Aesthetics of Kinetic Structure in Contemporary Digital Art

This research is concerned with studying the aesthetics of kinetic structure in contemporary digital art. It includes four chapters. The first chapter is devoted to stating the research problem, its importance and need for it, its goal, its limits, and defining the most important terms included in it. The research problem addressed the topic of the aesthetics of kinetic structure in contemporary digital art, specifically those that have a direct relationship to artistic movements and trends of postmodernism and technological development and the creation of contemporary design techniques and methods. From here, question marks arose related to the research question, which is:- What is the aesthetics of kinetic structure in contemporary digital art? The importance of the current research lies in the fact that it sheds light on the role of technology in the production of contemporary arts, including digital art, due to its wide presence today and the space it occupies in which it combines talent and technology. It also creates a kind of blending between artistic and scientific creativity, especially if it is accompanied by some aesthetic effects that increase the visual and aesthetic response of the recipient, such as kinetic effects that play a prominent role in the structure of the artwork. The need for current research is evident in the fact that it benefits researchers and specialists in the field of arts in general and digital art in particular, and it also provides local libraries with a modest scientific effort. The research aims to identify the aesthetics of the kinetic structure in contemporary digital art. The research limits include three aspects: (a) objectivity, which was represented by studying the aesthetics of the kinetic structure in contemporary digital art implemented by computers using multiple programs specialized in drawing and coloring; (b) temporal (2020-2024); and (c) spatial (Europe). As for the second chapter, which is the theoretical framework, it contained two sections. The first section dealt with the structure of movement in the artwork, while the second section dealt with the concept of digital art and its techniques. The theoretical framework ended with a set of indicators. The third chapter dealt with the research procedures. The fourth chapter dealt with the research results, conclusions, recommendations, and proposals.