The controversy of the human figure between philosophy and contemporary painting

This research characterized by the aesthetic approach between philosophy and art in the contemporary human body includes four chapters. The first chapter included the research problem that centered on the philosophy of the contemporary human form and was supplemented with reference to the importance of the research and the goal of the research, which was to clarify the aesthetic transformations of the perception of the (better) human form through the transformations of philosophy And then the limits of research that were determined spatially and temporally in the countries of the world in the years 1887-1992 AD, and thematically by the artistic achievements that bear in their character the human formation. As for the second chapter, it included two topics, the first was (the movement of the human form through the history of philosophy). While the second topic (the aesthetic perception of drawing the human figure, a reading in the history of painting), it is devoted to seeing schools and various modern and contemporary artistic trends of the human form, and how it is represented in artistic achievements. And then come up with the indicators. While the third chapter was devoted to research procedures and included the research methodology, the research community, the research sample that was intended, which amounted to (4) samples, the research tool that was the observation and what was mentioned in the theoretical framework in content analysis and finally the sample analysis. While the fourth chapter came to include the results and their discussion that the researcher reached after analyzing the sample, and most important: 1. Approaching (Sample No. 1, Sample No. 3) with philosophical ideas (Sigmund Freud) by highlighting the aesthetic features and focusing on the naked womans body and showing it in a gender concept by showing her attractions and with relatively large sizes at another expense to emphasize the aspects of beauty and fertility, such as large and backward breasts Notable, especially among Impressionist artists. 2. The abuse of the human form reaches a great extent in the postmodern arts that deliberately produced it in images that were intended to destroy the classical idealistic view and previous artistic roots, which is what we observe in (Sample No. 2) (Sample No. 4) in line with (Kant's) ideas about freedom Artistic (and Foucault and Derrida) in deconstruction and pragmatism with an experimental direction, the human form is fluctuating and not limited by a fixed law in order to show issues and topics without a foundation in the world of false images, according to the philosophy of (Jean Baudrillard) in deconstruction. And then the researcher reached a number of conclusions, recommendations and suggestions.