Brechtian guidance on the technique of motor and vocal coordination for the actor’s performance in a theatrical performance

The director's role in his training directions depends on creating technical compatibility between the actor's movement and vocal performance. Working considering Brecht's standards for acting training requires focusing on the methods that seek to bring the theatrical performance to perfection. The research has been exposed to Brecht's directions through its establishment of theoretical framework topics, which in the first section, I dealt with the intellectual qualification of the vocal-motor harmony technique in Brechtian prosody. In the second section, I dealt with Brechtian guidance for vocal-kinetic composition in theatrical performance, through reading the play The Caucasian Chalk Circle, in which the director focused on the compatibility between sound and movement in the actors performance.