The aesthetics of the systematic form in land art products

AbstractThe research included four chapters. The first chapter was intended to explain the problem of the research, its importance, the need for it, the goal of the research and its limits, and the most important terms contained in it. The research problem was defined by answering the following question: What is the aesthetic impact of the systematic form in the products of land art? The research also aims to identify the aesthetics of the systematic form in land art products. The second chapter was concerned with the theoretical framework, as it included two sections: the first section (the philosophical concept of form), and the second section (systematic form in post-modern arts) lands art as a model. The third section included the research procedures: the research community, the research sample, and the tool. Research, research methodology and analysis of the research sample. The fourth chapter includes the research results, conclusions, recommendations and proposals. Among the essential findings reached by the researcher are their formal overlap and systematic integration, which distinguishes land art products by dealing with primary materials to transcend the idea of the imagined image and reach reality. The researcher also reached several conclusions, including land art, a creative work that completes what nature could not achieve. Therefore, it is a practical activity created with the primary data on the earth.