I have read the collection of King Al-Amjad many times, and I was greatly impressed by the magnificence of his language, his mastery of the language, and his ability to adapt it, with his articulate tongue and ability to monitor reality, in poetry, without vulgarity or obscenity in his statement, whether explicit or implied, and his abstinence from obscene speech. A description or allusion, his adherence to the traditions of the place and time, his addressing a beloved with oriental features, identity, and beauty, his crying over the ruins, his lamentation when he stood on the empty floors of their owners, and the grove that had faded, and his reproaching of the beloved and the companions with a chaste, flirtatious, lovelorn tongue that reflects the morals of a chaste-tongued king, pure in conscience and pure conscience. . When I read more about him, I found that Al-Malik Al-Amjad was a brilliant poet in composing poetry in his time, superior to his fellow poets. He created his own poetic doctrine that beautifully embodies the reality around him. I decided to write about it in my dissertation. Since I am interested in the rhetorical study, in this research I will study the study of the beautiful innovations in the collection of King Al-Amjad Al-Tabbaq and Al-Muqaba as an example, which contains many words and meanings colored with the wonderful.